📍 Soho Theatre, 2–13 September 2025
🎟️ Tickets available here
If you missed the buzz at Edinburgh Fringe, now’s your chance to see the one-woman show that had critics raving and audiences stunned. Megan Prescott, best known as “Katie F***ing Fitch” from Skins, brings her powerful debut solo play Really Good Exposure back to London this September — and it’s absolutely unmissable. Here’s why.
1. It’s a Raw, Funny, Heartbreaking Look at Fame and Sex Work
At its core, Really Good Exposure is a deeply personal, fiercely honest look at life after child stardom. Megan Prescott draws from her own experiences — from bodybuilder to stripper to OnlyFans creator — to tell the story of Molly Thomas, a fictional former teen star skint and spiralling toward the adult industry. The result is an electrifying mix of sharp wit and gut-punch truth.
2. Megan Prescott is Magnetic On Stage
Prescott isn’t just performing — she’s commanding. Critics have called her “a one-woman powerhouse” (The Wee Review) and “exceptional” (One 4 Review). This is a performer at the top of her game, giving everything she has to every line, movement, and silence. Whether you know her from Skins or not, you’ll leave knowing her name.
3. It’s Garnered Glowing 5-Star Reviews
From Three Weeks to Starburst Magazine, reviewers have lined up to praise the show’s boldness and brilliance:
“A masterful arrow aimed at the heart of entertainment culture.” ★★★★★
“A must-see.” ★★★★★
“It’s about personal empowerment and choice. You should choose to see it.” ★★★★★
This isn’t just hype. It’s a rare Fringe show that cuts through the noise — and delivers.
4. It Sparks Vital Conversations About Stigma and Survival
This isn’t another flashy show about the “fall” of a former star. It’s a smart, layered critique of the hypocrisy in how we treat performance — applauding some forms, demonising others. It opens up space for much-needed conversations around sex work, mental health, the price of fame, and who gets to tell their story.
5. It’s Brave Art — Funded Honestly
In a strikingly meta twist, Megan Prescott used her income from OnlyFans to fund the show’s original run. That same income — stigmatised and judged — enabled the creation of this very play. She’s made no secret of it, saying:
“Creative careers are financially inaccessible to a lot of people, which is why many people in creative industries subsidise their income with sex work.”
It’s not just a performance. It’s a statement — and one that deserves to be heard.
🎭 Don’t Miss It
Really Good Exposure runs at Soho Theatre from 2–13 September 2025, with press nights on the 3rd and 4th. Expect laughs, uncomfortable truths, a whole lot of talent — and a performance you’ll be thinking about for weeks.